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completed client projects

investigating urban performance

WWTC treats cities as performances rather than places. Through sustained residency investigations - living in a city for 6-12 weeks - it uses postmodern theoretical frameworks as practical organising tools to understand how urban spaces stage themselves in an age where simulation and authenticity are impossible to distinguish.

0.8/10

PEOPLE. PLACE. PERFORMANCE.

0.8/10

PEOPLE. PLACE. PERFORMANCE.

0.8/10

PEOPLE. PLACE. PERFORMANCE.

Spacious open-plan office with rows of desks and striking circular ceiling lights.
Spacious open-plan office with rows of desks and striking circular ceiling lights.
Spacious open-plan office with rows of desks and striking circular ceiling lights.

Investigations completed

04+

Investigations completed

04+

Investigations completed

04+

kilometres walked & documented

540+

kilometres walked & documented

540+

kilometres walked & documented

540+

Mehtodological Frameworks

03+

Mehtodological Frameworks

03+

Mehtodological Frameworks

03+

structure

structure

structure

The Investigation Framework

WWTC treats cities as performances rather than places. Through sustained residency investigations - living in a city for 6-12 weeks - it uses postmodern theoretical frameworks as practical organising tools to understand how urban spaces stage themselves in an age where simulation and authenticity are impossible to distinguish.

Portrait of a young man with short hair, wearing a dark t-shirt, against a plain background.

David Henzell

Primary Resident

Thought Leader

Portrait of a young man with short hair, wearing a dark t-shirt, against a plain background.

David Henzell

Primary Resident

Thought Leader

Portrait of a young man with short hair, wearing a dark t-shirt, against a plain background.

David Henzell

Primary Resident

Thought Leader

Portrait of a woman with straight long hair, in a dark t-shirt, set against a neutral backdrop.

Claude

AI Companion

Anthropic AI

Portrait of a woman with straight long hair, in a dark t-shirt, set against a neutral backdrop.

Claude

AI Companion

Anthropic AI

Portrait of a woman with straight long hair, in a dark t-shirt, set against a neutral backdrop.

Claude

AI Companion

Anthropic AI

Portrait of a man with short dark hair and a trimmed beard, dressed in a dark shirt, on a simple background.

Framework

WWTC Methodology

Organisational Structure

Portrait of a man with short dark hair and a trimmed beard, dressed in a dark shirt, on a simple background.

Framework

WWTC Methodology

Organisational Structure

Portrait of a man with short dark hair and a trimmed beard, dressed in a dark shirt, on a simple background.

Framework

WWTC Methodology

Organisational Structure

Portrait of a woman with long, smooth hair swept to the side, in a dark t-shirt, on a plain background.

Investigation

Current Project

What the water sees

Portrait of a woman with long, smooth hair swept to the side, in a dark t-shirt, on a plain background.

Investigation

Current Project

What the water sees

Portrait of a woman with long, smooth hair swept to the side, in a dark t-shirt, on a plain background.

Investigation

Current Project

What the water sees

why wwtc?

why wwtc?

why wwtc?

WWTC doesn't mystify methodology. The framework is open, the process is documented, the economics are transparent. It walks systematic routes, applying theoretical tools honestly, and publishes what it encounters. No hidden construction, no pretense that observation happens outside of frameworks.

WWTC doesn't mystify methodology. The framework is open, the process is documented, the economics are transparent. It walks systematic routes, applying theoretical tools honestly, and publishes what it encounters. No hidden construction, no pretense that observation happens outside of frameworks.

Every investigation produces multiple documentation streams: weekly blog posts, photography series, route maps, and methodological analysis. The work is public, replicable, and honest about what it takes - both materially (time, money, physical effort) and intellectually (which frameworks were used and why).

What makes WWTC different

01

No hidden construction

Every investigation makes its methodology explicit and analysable.

01

No hidden construction

Every investigation makes its methodology explicit and analysable.

01

No hidden construction

Every investigation makes its methodology explicit and analysable.

02

No pretend neutrality

Frameworks shape what you can see - WWTC documents which ones it uses.

02

No pretend neutrality

Frameworks shape what you can see - WWTC documents which ones it uses.

02

No pretend neutrality

Frameworks shape what you can see - WWTC documents which ones it uses.

03

No mystical data

Transparent about time, money, and material conditions of cultural production.

03

No mystical data

Transparent about time, money, and material conditions of cultural production.

03

No mystical data

Transparent about time, money, and material conditions of cultural production.

Young woman in a white shirt with a colorful gradient print, against a plain background.

David Henzell

founder & primary resident

10

manifesto

I DIDN'T BUILD THIS FRAMEWORK TO MYSTIFY DISPLACEMENT. I BUILT IT TO UNDERSTAND HOW CITIES PERFORM THEMSELVES - HONESTLY, RIGOROUSLY, AND WITHOUT PRETENDING AUTHENTICITY IS STILL POSSIBLE.

WWTC is here to investigate urban simulation in the real world - through sustained residency, theoretical frameworks, and transparent documentation.

2025/Q2

displacement method identified as potential protocol

2025/Q3

Warsaw residency initiated: 12 weeks: sluzewiec

2025/Q3

Belgrade residency initiated: 12 weeks: Banjica

2026/Q1

Second warsaw residency: 12 weeks: Sluzewiec

Young woman in a white shirt with a colorful gradient print, against a plain background.

David Henzell

founder & primary resident

10

manifesto

I DIDN'T BUILD THIS FRAMEWORK TO MYSTIFY DISPLACEMENT. I BUILT IT TO UNDERSTAND HOW CITIES PERFORM THEMSELVES - HONESTLY, RIGOROUSLY, AND WITHOUT PRETENDING AUTHENTICITY IS STILL POSSIBLE.

WWTC is here to investigate urban simulation in the real world - through sustained residency, theoretical frameworks, and transparent documentation.

2025/Q2

displacement method identified as potential protocol

2025/Q3

Warsaw residency initiated: 12 weeks: sluzewiec

2025/Q3

Belgrade residency initiated: 12 weeks: Banjica

2026/Q1

Second warsaw residency: 12 weeks: Sluzewiec

Young woman in a white shirt with a colorful gradient print, against a plain background.

David Henzell

founder & primary resident

10

manifesto

I DIDN'T BUILD THIS FRAMEWORK TO MYSTIFY DISPLACEMENT. I BUILT IT TO UNDERSTAND HOW CITIES PERFORM THEMSELVES - HONESTLY, RIGOROUSLY, AND WITHOUT PRETENDING AUTHENTICITY IS STILL POSSIBLE.

WWTC is here to investigate urban simulation in the real world - through sustained residency, theoretical frameworks, and transparent documentation.

2025/Q2

displacement method identified as potential protocol

2025/Q3

Warsaw residency initiated: 12 weeks: sluzewiec

2025/Q3

Belgrade residency initiated: 12 weeks: Banjica

2026/Q1

Second warsaw residency: 12 weeks: Sluzewiec

Newsletter

WWTC sends occasional updates about new projects via Reticulate [ntwx]

Newsletter

WWTC sends occasional updates about new projects via Reticulate [ntwx]

Newsletter

WWTC sends occasional updates about new projects via Reticulate [ntwx]

12

Help & Info

12

Help & Info

12

Help & Info

FAQ

01

What is the Warsaw Winter Theatre Company?

WWTC is an analytical framework for investigating how cities perform themselves in an age of total simulation. WWTC conducts sustained residency investigations using postmodern theoretical tools as practical organising methods. WWTC is not an actual theatre company - it investigates urban performance.

02

How do the investigations work?

Each investigation involves 6-12 weeks of sustained residency in a single city. WWTC develops location-specific protocols (like Warsaw's circular methodology or Belgrade's confluence protocol), walk structured routes, document observations through photography and writing, and produce weekly blog posts analysing what it encounters.

03

Why "theatre company" if you don't do theatre?

Because cities perform - they stage versions of themselves for different audiences. WWTC investigates these performances. The "theatre company" framing makes explicit what's usually implicit: urban spaces are performing authenticity, history, identity. WWTC watches what they're staging.

04

Can I use WWTC methodology for my own city?

Yes. The frameworks are open and adaptable. If you want guidance on applying WWTC methodology to your location, or want to discuss collaboration on an investigation, contact us. I'd be interested in how the framework functions in different contexts.

04

What's the relationship between WWTC and AI?

All WWTC work emerges from human-AI collaboration. David Henzell conducts the physical investigations; Claude (Anthropic AI) provides pattern recognition, theoretical context, and analytical support. WWTC is transparent about this partnership - it's part of the methodology, not hidden.

04

Where can I read the investigations?

All WWTC work is published through Reticulate Networks blog. "Travels in Hyperreality" (Warsaw) is complete. "What The Water Sees" (Belgrade) is currently in progress. Both include weekly posts, photography, and synthesis.

04

What does "displacement as methodology" mean?

Temporary residents see cities differently than permanent ones. WWTC uses this displacement deliberately - living somewhere long enough to notice patterns but remaining aware we're outsiders. The methodology treats being temporarily displaced as an investigative advantage, not a limitation.

01

What is the Warsaw Winter Theatre Company?

WWTC is an analytical framework for investigating how cities perform themselves in an age of total simulation. WWTC conducts sustained residency investigations using postmodern theoretical tools as practical organising methods. WWTC is not an actual theatre company - it investigates urban performance.

02

How do the investigations work?

Each investigation involves 6-12 weeks of sustained residency in a single city. WWTC develops location-specific protocols (like Warsaw's circular methodology or Belgrade's confluence protocol), walk structured routes, document observations through photography and writing, and produce weekly blog posts analysing what it encounters.

03

Why "theatre company" if you don't do theatre?

Because cities perform - they stage versions of themselves for different audiences. WWTC investigates these performances. The "theatre company" framing makes explicit what's usually implicit: urban spaces are performing authenticity, history, identity. WWTC watches what they're staging.

04

Can I use WWTC methodology for my own city?

Yes. The frameworks are open and adaptable. If you want guidance on applying WWTC methodology to your location, or want to discuss collaboration on an investigation, contact us. I'd be interested in how the framework functions in different contexts.

04

What's the relationship between WWTC and AI?

All WWTC work emerges from human-AI collaboration. David Henzell conducts the physical investigations; Claude (Anthropic AI) provides pattern recognition, theoretical context, and analytical support. WWTC is transparent about this partnership - it's part of the methodology, not hidden.

04

Where can I read the investigations?

All WWTC work is published through Reticulate Networks blog. "Travels in Hyperreality" (Warsaw) is complete. "What The Water Sees" (Belgrade) is currently in progress. Both include weekly posts, photography, and synthesis.

04

What does "displacement as methodology" mean?

Temporary residents see cities differently than permanent ones. WWTC uses this displacement deliberately - living somewhere long enough to notice patterns but remaining aware we're outsiders. The methodology treats being temporarily displaced as an investigative advantage, not a limitation.

01

What is the Warsaw Winter Theatre Company?

WWTC is an analytical framework for investigating how cities perform themselves in an age of total simulation. WWTC conducts sustained residency investigations using postmodern theoretical tools as practical organising methods. WWTC is not an actual theatre company - it investigates urban performance.

02

How do the investigations work?

Each investigation involves 6-12 weeks of sustained residency in a single city. WWTC develops location-specific protocols (like Warsaw's circular methodology or Belgrade's confluence protocol), walk structured routes, document observations through photography and writing, and produce weekly blog posts analysing what it encounters.

03

Why "theatre company" if you don't do theatre?

Because cities perform - they stage versions of themselves for different audiences. WWTC investigates these performances. The "theatre company" framing makes explicit what's usually implicit: urban spaces are performing authenticity, history, identity. WWTC watches what they're staging.

04

Can I use WWTC methodology for my own city?

Yes. The frameworks are open and adaptable. If you want guidance on applying WWTC methodology to your location, or want to discuss collaboration on an investigation, contact us. I'd be interested in how the framework functions in different contexts.

04

What's the relationship between WWTC and AI?

All WWTC work emerges from human-AI collaboration. David Henzell conducts the physical investigations; Claude (Anthropic AI) provides pattern recognition, theoretical context, and analytical support. WWTC is transparent about this partnership - it's part of the methodology, not hidden.

04

Where can I read the investigations?

All WWTC work is published through Reticulate Networks blog. "Travels in Hyperreality" (Warsaw) is complete. "What The Water Sees" (Belgrade) is currently in progress. Both include weekly posts, photography, and synthesis.

04

What does "displacement as methodology" mean?

Temporary residents see cities differently than permanent ones. WWTC uses this displacement deliberately - living somewhere long enough to notice patterns but remaining aware we're outsiders. The methodology treats being temporarily displaced as an investigative advantage, not a limitation.

Contact us directly

Contact us directly

Contact us directly

WWTC investigates how cities perform themselves. All enquiries welcome.

David Henzell

Primary Resident

David Henzell

Primary Resident

David Henzell

Primary Resident

13

initiation protocol

establish contact

Questions about WWTC methodology? Want to discuss urban investigation? Interested in collaboration? Reach out.

By submitting, you agree to our Terms and Privacy Policy.

WWTC IS Based in WARSAW BELGRADE
& BEYOND

Soft abstract gradient with white light transitioning into purple, blue, and orange hues

13

initiation protocol

establish contact

Questions about WWTC methodology? Want to discuss urban investigation? Interested in collaboration? Reach out.

By submitting, you agree to our Terms and Privacy Policy.

WWTC IS Based in WARSAW BELGRADE
& BEYOND

Soft abstract gradient with white light transitioning into purple, blue, and orange hues

13

initiation protocol

establish contact

Questions about WWTC methodology? Want to discuss urban investigation? Interested in collaboration? Reach out.

By submitting, you agree to our Terms and Privacy Policy.

WWTC IS Based in WARSAW BELGRADE
& BEYOND

Soft abstract gradient with white light transitioning into purple, blue, and orange hues

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